Loud where it counts, clean everywhere else.
Your premaster in, a release-ready master out — checked against your reference, checked in mono, checked on more than one system, run through the Studio tool rather than a scattered email thread.
Before / after, same track
Both files are normalized to the same 0dB max peak — the loudness you hear on "After" is the mastering doing its job, not a volume trick.
Sign in to the Studio
One app for the whole thing — uploading, messaging, tracking status, downloading. No separate email thread for notes and a separate file-sharing link for the actual audio. Every project, past and future, lives in the same account.
Upload your premaster, a reference, and your mastering preferences
The reference communicates a tonal and loudness character faster than words can. Preferences are the specifics: a loudness target if you have one, a platform you're releasing to, a genre you want it sitting comfortably next to — or just "make it translate," which is a valid brief on its own.
Pick mastering or stem mastering
Right there in the same submission — no back-and-forth emails just to settle which service you actually need (see the difference below if you're not sure).
It gets checked before it's ever sent to you
Against the reference, in mono, on more than one system — before a master is ever called finished on this end, not after you flag something's off. That check happens on every revision pass too, not just the first one.
Your master lands on the dashboard
With a message alongside it noting the calls made against your preferences and reference — loudness, tonal balance, anything worth flagging — not a silent download link with no context attached.
Request changes through the built-in messaging
If the target isn't quite there yet, say so directly in the same thread attached to the project — a real conversation, not a new email that starts the context over. Reasonable adjustment rounds are included; it isn't called done until it's actually there.
Download your master
A 24-bit WAV, ready to release, plus an MP3 at 320kbps for quick reference, sharing, or DJing.
Works on your final stereo mix.
Works on grouped stems (drums, bass, synths, etc.) instead of a single stereo file — finer control over the balance during the mastering stage itself, not just overall loudness and tone.
Both include the same delivery: WAV 24-bit plus an MP3 for reference, a typical turnaround of 2–4 days, and reasonable adjustment rounds if the target isn't quite there yet. The signal chain itself is all in the box, built per track rather than run through a fixed formula — whatever combination of tools the track actually needs to reach a competitive, translatable level without losing what made the mix work in the first place.
Got a premaster ready?
Sign in to the Studio and upload it directly — or ask a question first if you're not sure which service fits.